Architectural Sketching with Watercolor and Ink
Where are the Vanishing Points?
A course by user1668385 surname1668385 , Storyboard Artist
Joined November 2019
Combine loose ink sketching with watercolor to create beautiful buildings that leap off the page
Joined November 2019
About the video: Where are the Vanishing Points?
Overview
“How do you find the vanishing points when they’re off the edges of your page? ”
In this video lesson user1668385 surname1668385 addresses the topic: Where are the Vanishing Points?, which is part of the Domestika online course: Architectural Sketching with Watercolor and Ink. Combine loose ink sketching with watercolor to create beautiful buildings that leap off the page.
Partial transcription of the video
“Hi there, I've gotten a few questions in the lesson on perspective, so I thought I'd make a video, to explain a couple points. The first question is: What do you do when the vanishing points are off the edges of your page? When you're drawing in two point perspective, often, your vanishing points are off the edges of your page. So, I just wanted to show you a couple things I do when this happens. So, if you've got your paper, and your drawing is in the middle of your paper somewhere, and your vanishing points are off the edges of your page, there's a couple different things you can do. Basi...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Architectural Sketching with Watercolor and Ink
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Category
Illustration -
Areas
Architectural Illustration, Drawing, Ink Illustration, Sketchbook, Sketching, Watercolor Painting
A course by user1668385 surname1668385
Alex Hillkurtz was born in England and grew up in California where he is a renowned storyboard artist for feature films, television, and commercials. His film credits include Argo, Almost Famous, It’s Complicated, and many others. Alex currently lives in Paris with his film editor wife, Tiffany, and enjoys discovering the hidden corners of the city that sketching and painting allow.
He uses the language of cinema to compose his images, moving beyond what one sees and depicting what he wants others to see. He believes that in our overly crowded lives, sketching and painting invites us to move at a more deliberate pace, giving us a true sense of place, where unexpected stories are revealed.
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