Graphic Experimentation for Artistic Illustration
Error and experimentation in non-digital illustration
A course by user71638 surname71638 , Illustrator and Painter
Joined May 2012
Create images with watercolors, acrylics, pastels and other techniques and illustrate pieces that bring a text to life
Joined May 2012
About the video: Error and experimentation in non-digital illustration
Overview
“I will tell you and explain the reasons why I consider it essential to nurture the work of illustration with methodologies that allow you to experiment and play with similar materials. ”
In this video lesson user71638 surname71638 addresses the topic: Error and experimentation in non-digital illustration, which is part of the Domestika online course: Graphic Experimentation for Artistic Illustration . Create images with watercolors, acrylics, pastels and other techniques and illustrate pieces that bring a text to life .
Partial transcription of the video
“Error and experimentation in non-digital illustration In this lesson we will talk about error and experimentation in analogous illustration. Fundamentally, I have gone to the side of analog illustration for various reasons and one of them is to allow me a game that involves many more senses than digital illustration allowed me. I have managed to create images that are much more evocative to me, much more robust, with many more meanings, in its completion and in its plastic signs. To exemplify what happens to errors and how I handle them, I have brought an illustration that I made for a book...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Graphic Experimentation for Artistic Illustration
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Category
Illustration -
Areas
Acrylic Painting, Communication, Creativity, Drawing, Editorial Illustration, Fine Arts, Painting, Traditional illustration, Watercolor Painting
A course by user71638 surname71638
Illustrator Santiago Guevara graduated with a degree in graphic design from the Jorge Tadeo Lozano University in Bogotá, Colombia. He combines his work as a freelance illustrator–primarily for children's books and young adult literature–with a teaching position in the art department at the Pontifical Xavierian University.
He has collaborated with magazines, newspapers, publishing companies, and both national and international clients. To date, he has published and co-authored numerous books with a variety of writers and companies, including Corazón de león by Antonio Ungar, Los irlandeses by Jairo Buitrago, La gata sola by Carolina Sanín, Soy asesino y padre de familia by Fabio Rubiano, and Los 16 motivos del lobo by Amalia Moreno.
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