Sketchbook Drawing Techniques for Beginners
The models around you 2
A course by user66667 surname66667 , Ilustrador y Concept Artist
Joined March 2012
Discover your own style while practicing different exercises in your sketchbook
Joined March 2012
About the video: The models around you 2
Overview
“We continue drawing the basic shapes and the silhouette and poses of different reference images.”
In this video lesson user66667 surname66667 addresses the topic: The models around you 2, which is part of the Domestika online course: Sketchbook Drawing Techniques for Beginners. Discover your own style while practicing different exercises in your sketchbook.
Partial transcription of the video
“The models around you Now that we know the pieces, as we have discussed previously, We are going to search with references where those elements would be located. As you can see, in the reference image it is clearly seen, thanks to the pants, where would we place that waist and how the arm goes into somehow internally within the silhouette. It is important that we find that in this case the head has a reference that is is vertical and its horizontal, but we see how that little body that forms the bean, that forms the torso, has its particular inclinations. Here, at this point where I will in...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Sketchbook Drawing Techniques for Beginners
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Category
Illustration -
Areas
Character Design, Drawing, Pencil Drawing, Sketchbook, Sketching
A course by user66667 surname66667
Francisco Lobón Leal has a degree in Fine Arts from the Complutense University of Madrid and currently works as an illustrator and Concept Artist. Together with some of his colleagues, he started Malfario Cómic, a small label in which he self-published his sketchbook “Rojo Sketchbook”.
In addition, through the Illusorium studio, he has worked on the development of the Sky Children of the Light series and participated in illustration magazines such as "Character Design Collection".
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