We should tend to use larger and more water-laden brushstrokes, in this way we will avoid insistence on paper and give our work a more fluid appearance.
Try not to define all the features with dark lines. If you want a good TIP to avoid this type of solutions, you should put the line and then blur in some points so that it is so marked. You will see how your jobs earn a lot.
Let's try not to use black (payne gray or a mixture of very dark tones) to solve dark peaks or lines. It is a gross error that does not give quality to our work, it really subtracts it. Let's use the spot contrast between complementary for example.
**Thank you for taking the course!
If you liked it and are interested in going deeper into carnations and skin in watercolor. I leave you my course on the human figure in watercolor, where we delve a little deeper into color, color palettes and new methodologies.
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Professor PlusWe should tend to use larger and more water-laden brushstrokes, in this way we will avoid insistence on paper and give our work a more fluid appearance.
Try not to define all the features with dark lines. If you want a good TIP to avoid this type of solutions, you should put the line and then blur in some points so that it is so marked. You will see how your jobs earn a lot.
Let's try not to use black (payne gray or a mixture of very dark tones) to solve dark peaks or lines. It is a gross error that does not give quality to our work, it really subtracts it. Let's use the spot contrast between complementary for example.
**Thank you for taking the course!
If you liked it and are interested in going deeper into carnations and skin in watercolor. I leave you my course on the human figure in watercolor, where we delve a little deeper into color, color palettes and new methodologies.
-Human figure in watercolor. A slightly more advanced course where you can delve into the carnations in watercolor.
https://www.domestika.org/es/courses/2463-human-figure-in-watercolor/casanova_ale
See you soon!
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