Illustrated Portrait in Watercolor
Let's start our portrait I
A course by user47999 surname47999 , Painter and illustrator
Joined April 2011
Learn to combine traditional techniques and digital retouching with Photoshop
Joined April 2011
About the video: Let's start our portrait I
Overview
“In this lesson, we'll put our chosen reference photo on paper. I'm going to do it with a light screen. Tracing is fine! When you have time this helps to get the work done. But if you want your drawing to be more personal and not so similar, try freehanding.”
In this video lesson user47999 surname47999 addresses the topic: Let's start our portrait I, which is part of the Domestika online course: Illustrated Portrait in Watercolor. Learn to combine traditional techniques and digital retouching with Photoshop.
Partial transcription of the video
“LET'S START OUR PORTRAIT In this lesson I will transfer the portrait I chose to paper. To speed up the process I normally use a lightbox, but you can use any kind of light that allows you to trace, A window will serve, for instance. You can use a grid or trace with a pencil. You can even copy the portrait freehand. It doesn't have to be identical to the picture. There're many ways to do it. For tracing I recommend, what I normally use, is a hard pencil, a 3H or 4H could work. Since I will then apply watercolor, a hard pencil will be less noticeable, even if afterwards I end up going over wi...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Illustrated Portrait in Watercolor
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Category
Illustration -
Areas
Artistic Drawing, Drawing, Fine Arts, Painting, Portrait Drawing, Traditional illustration, Watercolor Painting
A course by user47999 surname47999
Drawing has been her passion since she was a child and she did not hesitate to enroll in the Faculty of Fine Arts, where she specialized in Drawing and Graphic Design. She has always been drawn to the human figure, a preference that is noted in her personal projects.
Working with traditional and digital techniques, she is a specialist in capturing expressive glances, strong attitudes, melancholy gestures in her illustrations, which have appeared in publications of major publishers such as Penguin Random House, Editorial Planeta, and Roca Editorial.
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