Illustrated Portrait in Watercolor
Textures to enrich the portrait
A course by user47999 surname47999 , Painter and illustrator
Joined April 2011
Learn to combine traditional techniques and digital retouching with Photoshop
About the video: Textures to enrich the portrait
Overview
“We'll make stains and simple textures that we will then scan to add to our portrait. (Enrich skin tones or shadows). I have used a range of warm colors, but don't be afraid to make your own colors. Have fun!”
In this video lesson user47999 surname47999 addresses the topic: Textures to enrich the portrait, which is part of the Domestika online course: Illustrated Portrait in Watercolor. Learn to combine traditional techniques and digital retouching with Photoshop.
Partial transcription of the video
“TEXTURES In this lesson we'll work with textures. They can be textures with watercolor, pencils, colored pencils, whatever you have at hand. You can choose. We'll do these textures on a separate watercolor paper and then we'll scan them and compose them digitally with Photoshop. Here I have an example of what we'll do. This is an original watercolor portrait done the same way as the process I showed you, and then here I have the portrait after touching it up digitally with Photoshop. The textures we'll do now are small details. For example, if you look at the noses and compare them, this on...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Illustrated Portrait in Watercolor
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Category
Illustration -
Areas
Artistic Drawing, Drawing, Fine Arts, Painting, Portrait Drawing, Traditional illustration, Watercolor Painting
A course by user47999 surname47999
Drawing has been her passion since she was a child and she did not hesitate to enroll in the Faculty of Fine Arts, where she specialized in Drawing and Graphic Design. She has always been drawn to the human figure, a preference that is noted in her personal projects.
Working with traditional and digital techniques, she is a specialist in capturing expressive glances, strong attitudes, melancholy gestures in her illustrations, which have appeared in publications of major publishers such as Penguin Random House, Editorial Planeta, and Roca Editorial.
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